The top review says "like every Lin-Manuel Miranda project, it could've used less Lin-Manuel Miranda", and I can't agree more with that. The guy is lyrically Van Halen - it's all very technically impressive, but after a while it becomes noise.

You can tell a Lin-Manuel Miranda song a mile away: lots of cool wordplay, syncopation and internal rhyming. It must take a lot of work to write a song like this, but when you catch yourself thinking "I bet they set this in Miami just for this wordplay", maybe it's not difficult; maybe it's just contrived.